Carmen, Sung in Tagalog — Twice Now
Here’s a fact that tends to stop people mid-sentence: one of opera’s biggest, most famous titles — Bizet’s Carmen — has already had a full life in Filipino. Not subtitled. Not surtitled. Sung. In Tagalog. At the FEU Auditorium. In 1956. Most people assume that’s a typo the first time they hear it. It isn’t. On August 29, 1956, the Manila Symphony Orchestra staged Carmen at Far Eastern University using a Tagalog translation by Manuel Carballo Santiago and Vicente Liwag, under musical director Herbert Zipper (who’d inherited the baton from MSO founder Alexander Lippay) and directed by his wife, Trudl Dubsky-Zipper. In the title role: a young soprano named Conchita “Conching” Rosal, who would go on to become one of the defining voices of Philippine opera. Seventy years later, almost to the day, the MSO is bringing her back. “Opera at Kundiman: The Legacy of Maestra Conching Rosal” lands at the FEU Auditorium on August 29 — the fourth concert in the orchestra’s Centennial Season, and a deliberate double celebration: 100 years of the MSO, …


