Repertory Philippines revives Shakespeare’s most-produced comedy for the first time in years, pairing faithful text with pop-song sight gags — and the run at St. Scholastica’s College closes this weekend.
walked into “Bongga Ka, ‘Day!” carrying every premature criticism I’d heard about it. I walked out with my heart still dancing to the title track.
More than a century after Severino Reyes first wrote her into the pages of Liwayway magazine, Lola Basyang is back on a PETA stage — the same stage she’s been returning to for 21 years running.
This week is your last chance to see South Pacific — UST Conservatory of Music’s 80th-anniversary comeback, still featuring Ciara Sotto and Jose Vera Perez.
FEU Theater Guild reimagines Guy de Maupassant’s Mother Sauvage as a Marinduque mother’s reckoning with grief and faith, set during the Japanese Occupation.
“Heathers the Musical” makes its Philippine premiere Jan. 21–Feb. 7, 2027 at The Theatre at Solaire, led by London-based Filipino performer Gerardine Sacdalan. General tickets go on sale Sept. 13.
Inside Last Dance: Hubo’t Hubad at Halxyon Club: Cast members John Segui, Gerald Magallanes, Paolo Domingo, and Kriszan Manipon discuss Japan host culture, stage nudity, family trauma, and turning a Poblacion nightclub into blackbox theater.
Ephesus Teatron stages Pinocchio the Musical at Ayala Malls Feliz Oct. 9–11 — with cast fresh off a very different Manila stage: the MET.
A 1970s zarzuela about a flood caused by illegal logging returns to Manila’s MET on Sept. 26–27 — the same weeks Habagat has left parts of Metro Manila underwater again.
Auditions for & Juliet pushed through Manila’s worst flooding in years — FHTC’s jukebox musical is heading to the still-unfinished Westside Resort.
