Piracy, Not a Favor. Cinemalaya Filmmaker Calls Out Newest “Distributor”
A fan-built database promised to make Cinemalaya more accessible. Filmmaker Dustin Celestino says it’s doing that by linking straight to pirated films.
A fan-built database promised to make Cinemalaya more accessible. Filmmaker Dustin Celestino says it’s doing that by linking straight to pirated films.
Metro Manila has spent most of August under Habagat — the southwest monsoon that floods the city’s streets on a schedule closer to weekly than seasonal — and people have still been crossing town for Cinemalaya. The past week’s heavy weather hasn’t stopped Filipinos from flocking to malls and theaters for this year’s lineup, ticket-runs and all. That’s not a small detail for a festival built on films most of its audience had never heard of a month ago. Cinemalaya — the Cultural Center of the Philippines’ independent film festival, now in its 22nd year — is having its longest run ever this August: 13 days, August 6 to 18, up from its usual Friday-to-Sunday weekend format, screening nine full-length films and 10 shorts across Shangri-La Plaza, Ayala Malls, and Gateway Cineplex. The Balanghai Trophy — the festival’s award, named for the balangay, the plank-built outrigger boat early Filipino seafarers used to move between islands — goes out August 17. Results aren’t in yet as of this writing. [Update: See the results below]. That timing …
A charity screening, three actors, and two decades of birthdays — why the new Spider-Man movie hits differently depending on how old you are when the lights go down.
This year’s Cinemalaya bookends read like a matched pair: an undocumented Filipina scrubbing floors at a luxury Swiss ski resort, and a teenager racking golf balls at an elite Manila-adjacent country club. One end of the labor chain and the other, both getting the festival’s biggest slots. Pairing a previously-garlanded, non-competing film with the opening and closing nights is Cinemalaya tradition, not a 2026 innovation — 2018 opened with a mainstream Erik Matti thriller, 2015 opened with a film that had already played Cannes, and 2022’s opener, Leonor Will Never Die, had already won a Special Jury Award at Sundance before it played here — nearly the identical path Filipiñana just took. What’s sharper this time isn’t the structure. It’s the pairing itself: Enjoy Your Stay and Filipiñana sit at opposite ends of the same axis — who does the invisible labor, and who benefits from not noticing it — and both landed real hardware at Berlinale and Sundance doing it. Enjoy Your Stay, directed by Dominik Locher with a script by Honeylyn Joy Alipio, …
For the first time in two or three years, we’re finally back to watching the Metro Manila Film Festival the way we used to. No shortcuts, no half-attending, no “maybe next year.” Just the familiar excitement of stepping into a cinema on a December night, lining up with families and barkadas, and immersing ourselves in Filipino stories during the holidays. And honestly — wala, ang sarap lang sa feeling. We missed this festival more than we realized. This year, MMFF welcomes us back with a lineup that feels different — not just bigger, but braver and more varied. ⸻ WHY THIS YEAR’S MMFF FEELS DIFFERENT If you’ve followed the festival over the years, you’ll notice right away: MMFF 2025 doesn’t look like the typical holiday lineup. This year feels like a reset. A recalibration. Maybe even a quiet revolution. Here’s why: 1. The Variety is Surprisingly Strong A queer parenthood comedy-drama, a representation-led film starring actors with Down syndrome, a 1969 period thriller, a future-set horror anthology, a legal drama about annulment, a Gen Z …