Vice Ganda has a rule he repeats to the comedians he mentors: once you become a millionaire, that number is your floor, not a peak you’re allowed to fall back from. It only moves up. He holds himself to a version of the same rule — one car, no air conditioning at home, and a promise that any luxury purchase has to be money he’s confident he can earn back.
This year, he seems to be earning more.
The Occasion
Gandang Gabi Vice, the late-night talk show known by its acronym GGV, returns for a new season on September 13, 2026. Jose Marie Borja Viceral — the comedian, actor, and longtime host of ABS-CBN’s noontime variety show It’s Showtime, better known as Vice Ganda — is taking the show onto GMA-7’s Sunday 10 p.m. slot, the first time the program has aired on that network, alongside its original home, Kapamilya Channel, and the streaming platform iWant. GMA and ABS-CBN spent decades as ratings rivals; this counts as one of their more visible on-air collaborations since ABS-CBN lost its broadcast franchise in 2020.
GGV first aired in 2011 and ran for nine years, built around Vice Ganda interviewing celebrity guests through a mix of comedy segments and games, before it ended in March 2020. Six years is a long time for a show to sit dormant. It’s not a long time for Vice Ganda to have gone without work — he stayed on It’s Showtime, kept making movies (he remains the highest-grossing Filipino movie actor of all time), and kept touring through the gap.

The Expanding Empire
The frugality below sits oddly next to how much bigger his business has actually gotten this year. In August, MVP Group chairman Manny V. Pangilinan — the businessman behind PLDT, Smart, and Meralco, whose media arm, MediaQuest Holdings, owns TV5 — formally welcomed Vice Ganda into the MediaQuest fold at a signing ceremony, bestowing him the honorary title “Queen of All Networks.” The partnership gives Vice Ganda room to develop projects across TV5 and MediaQuest’s other platforms through his own production company — on top of, not instead of, his existing ties. That same month, he renewed his ABS-CBN talent contract, captioning the announcement “Habambuhay,” Filipino for “forever,” and he remains a fixture on GMA-7 as well, through It’s Showtime and now GGV. Pangilinan framed the MediaQuest deal as a scale play — reach across free TV, pay TV, and streaming that no single network offers on its own.
A month before that, in July, Vice Ganda and fellow noontime host Vic Sotto — the longtime face of rival program Eat Bulaga! — announced their first film together, The Greatest Showdown, directed by Jun Robles Lana. It landed among the first official entries confirmed for the 2026 Metro Manila Film Festival (MMFF), the country’s largest annual movie showcase, timed for a Christmas release. Two noontime hosts whose shows have spent years competing for the same lunchtime audience sharing a marquee is, box office aside, a fairly rare kind of team-up on its own.
None of that changes the math on frugality — if anything, it sharpens the contrast. More income streams should, in theory, make habits like driving one car and skipping the air conditioning look more like performance than necessity. Vice Ganda’s own account runs the other direction: the habits came first, out of a childhood with limited resources, and they’ve stayed in place through every stage of the career that followed — including this one.


The Frugality Isn’t New
He’s talked this year, more plainly than most entertainers at his level of fame do, about what he actually does with that money. In an informal chat with entertainment reporters in early May, later written up separately by Philstar’s showbiz desk and by Tribune, Vice Ganda described himself in blunt terms: frugal, by habit and by choice. He said he no longer trades in for new vehicles and has pared down to a single car. At home, he skips the air conditioning for an electric fan — partly because he genuinely runs cold, partly, by his own telling, because it’s one more bill he doesn’t need to pay.
He traced the habit to childhood, growing up in a household with limited resources where the whole family learned to stretch what little came in, and said what keeps him disciplined now is the fear of going back to it — a fear he says only sharpens when the cost of living climbs, the way it has in the Philippines this year. That fear doesn’t mean he denies himself entirely: asked about a recent luxury shopping trip to Japan, he didn’t deny it, only that he allows himself that kind of spending exclusively when he’s confident he can earn it back.
He holds the people around him to the same standard. Vice Ganda owns and regularly performs at Vice Comedy Club, a standup venue in Metro Manila where he’s built up a roster of younger comedians, and by his own account, the millionaire-floor rule from the top of this piece is the first thing he tells anyone in his circle who reaches that number.
The 2019 Clip
None of this is a habit he picked up recently. Back in 2019, in an It’s Showtime segment on financial planning, Vice Ganda spent a minute and a half praising his former manager and fellow entertainment host Ogie Diaz for knowing insurance inside out — the premiums, the computations, even how property tax on a house gets paid — before turning it into a broader pitch to the audience: work hardest in your twenties, ease off through your thirties, and arrive at your fifties already secure, instead of scrambling to catch up on savings you should have started decades earlier. He closed the segment on a line that’s followed him since: “Make a living, but don’t forget to make a life.”

What Outlasts the Show
Vice Ganda hasn’t published a portfolio, and there’s no reliable, documented figure for what he’s actually worth — nothing here is a net-worth claim, and nothing here is a recommendation about where anyone else should put their own money. What is documented, repeatedly, is scale: the Bureau of Internal Revenue (BIR) named him Quezon City’s top celebrity taxpayer for 2024, honoring him again at a Regional Tax Campaign Kickoff in March 2025 — one of several years he’s landed on the bureau’s celebrity or individual taxpayer rosters going back over a decade. A tax bill in that bracket doesn’t translate to a net worth figure, but it’s a real income signal, and one that comes from public filings rather than a press release.
That’s the backdrop for behavior that’s stayed remarkably consistent regardless of how the income has scaled: a performer who came up through Manila’s comedy-bar circuit — working clubs like Punchline and The Library years before It’s Showtime or GGV made him one of the most bankable names in Philippine entertainment.
Entertainment income doesn’t arrive on a predictable schedule, in the Philippines or anywhere else. A show gets renewed or it doesn’t. An endorsement deal ends. A film gets greenlit or shelved. A network partnership expands the pie without guaranteeing it stays that size. The performers who last aren’t necessarily the ones who earn the most in a given year — they’re the ones whose finances can survive the version of the year where a show like GGV goes quiet for six of them in a row. GGV’s return on September 13 says his audience never stopped wanting him. The MediaQuest deal, The Greatest Showdown, and a decade-plus on the BIR’s taxpayer rosters say the money has kept scaling right alongside it. What Vice Ganda has said about it, consistently, for years, says he was never planning to count on any of that alone to keep him there.


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